This week, the Z. Smith Reynolds library at Wake Forest published an online collection of past Secrest materials. The anthology, which begins at the Series’ start in 1983 showcases not only the extraordinary performing artists that Secrest has offered to the Wake Forest community, but also the copious amounts of graphic artistry and planning that goes into making high quality interdisciplinary events.
A big thank you to Chelcie Rowell of the ZSR Special Collections for putting together this exhibit.
Explore through the link below:
Something new for Secrest: comedy! Broadway’s Next Hit Musical is a virtuoso, fully improvised musical comedy show. The group features improv superstars Deb Rabbai, Rob Schiffmann, Robert Grant, Kobi Libii, Stefan Schick, Rebecca Vigil, host Greg Triggs, and pianists Eric March, Andrew Resnick, and Gary Adler in a full book musical created on the spot. The show’s first act features songs based on audience-created titles and the second act creates an entire musical developed from the crowd’s favorite song from act one. This event is an unprecedented collaboration between Student life, the Secrest Series, and IPLACe
Sweet Honey in the RockThursday, October 9, 2014 | 7:30 PM | Wait Chapel
Sweet Honey in the Rock is rooted in a deeply held commitment to create music out of the rich textures of African American legacy and traditions. This Grammy Award-nominated group possesses a stunning vocal prowess that captures the complex sounds of blues, spirituals, traditional gospel hymns, rap, reggae, African chants, hip hop, ancient lullabies, and jazz improvisation. Sweet Honey’s collective voice, occasionally accompanied by hand percussion instruments, produces a sound filled with soulful harmonies and intricate rhythms.2015 marks the 40-year anniversary of the a-capella ensemble.
Quatuor EbeneTuesday, November 11, 2014 | 7:30 PM | Brendle Recital Hall
The four French musicians of Quatuor Ebene represent an extraordinary synthesis of traditional string chamber music structure with energetic and charismatic performance. The quartet is notable for their ability to move between different styles of music. Their repertoire includes traditional pieces by masters such as Brahms and Mendelssohn to their own arrangements of the music from “Pulp Fiction” and Chick Corea’s “Spain”. These four musicians’ interest in experiencing new styles inspires them to untangle and give new life to classical works. Today, Quatuor Ebene has earned a reputation as one of the foremost creative ensembles in the international chamber music scene.
Orquesta Sinfonica de MexicoWednesday, January 28, 2015 | 7:30 PM | Wait Chapel
The National Symphony of Mexico represents the excellence of Mexico’s talent and musical traditions. Based in the city of Toluca, the orchestra promotes music as a means of union and identity among Mexicans. In addition to initiatives in Mexican culture and musical excellence, the orchestra began touring internationally in 1975, presenting concerts across North America, Europe, and Asia. Their performance will feature an all-Spanish program, with guitarist Alfonso Moreno and conductor Enrique Batiz, centered around Rodrigo’s ever-popular Concierto de Aranjuez.
Benjamin GrosvenorThursday, February 26, 2015 | 7:30 PM | Brendle Recital Hall
British pianist Benjamin Grosvenor is internationally recognized for his electrifying performances and penetrating interpretations. An exquisite technique and ingenious flair for tonal color make him one of the most sought-after young pianists in the world. The youngest of five brothers, Benjamin began playing the piano at the age of 6. He first came to prominence as the winner of the Keyboard Final of the 2004 BBC Young Musician Competition at the age of eleven. Since then, Benjamin has graduated from the Royal Academy of Music and continued his international tour with renowned chamber and orchestral ensembles.
Alisa Weilerstein and Inon BarnatanThursday, April 16, 2015 | 7:30 PM | Brendle Recital Hall
Individually accomplished and revered musicians, world-renowned cellist Alisa Weilerstein and pianist Inon Barnatan have now come together in an exciting new chamber music collaboration. Inon Barnatan has an established career as a touring soloist at festivals and concerts and has recently been appointed as the New York Philharmonic’s first Artist in Association. Similarly, Alisa Weilerstein’s career includes engagements across the United States and Europe. Together, Barnatan and Weilerstein’s combination of unparalleled technique, voicing, and passion makes them the perfect pairing.
Orpheus Chamber Orchestra is not your typical orchestra. This group has gained notoriety for a huge part of the traditional orchestra that they lack: the conductor. This appears to be a disastrous way to build a professional music group. Without a conductor’s direction, wouldn’t technical and interpretative problems arise? Orpheus’s success answers no to this question.
Founder and cellist Julian Fifer began this group with different ideas. He liked the clarity and the flexibility of a chamber group, which traditionally acts without a conductor, and wanted to embrace this spirit in a larger setting. Fifer explains that their structure creates “a particular blend of freedom and responsibility.” Without a conductor to coordinate musicians, it is the responsibility of each player to know all the music, including each instrument’s part. But, each player has more freedom to contribute to interpretation.
The idea of a conductor-less orchestra has also received attention from business analysts. Here at Wake Forest, students in Holly Brower’s business classes get the chance to learn about Orpheus through a study done by a Harvard business professor Elizabeth Ross Canter. Canter is a huge proponent of the Orpheus structure for the business setting because it is a notable example of flexible leadership, with less hierarchy and more opportunity for people to play many different roles.
Canter boils down Orpheus’s leadership structure into 8 principles, universal to every business situation:
1. Put power in the hands of the people doing the work.
2. Encourage individual responsibility for product and quality.
3. Create clarity of roles
4. Foster horizontal teamwork
5. Share and rotate leadership
6. Learn to listen, learn to talk.
7. Seek consensus (and build creative systems that favor consensus)
8. Dedicate passionately to your mission.
In a business mind, this leadership structure shows fundamental positive outcomes: low turnover, high employee loyalty, customer satisfaction, and thus, a healthier bottom line. For Orpheus, the free flow of leadership positions creates a collaborative environment and also carries an indispensible element for musical groups: an individual level of emotional involvement in the organization’s success.
Interested in seeing the Orpheus Process in action? As part of their performance with the Secrest Series on February 26, they will be hosting an open rehearsal from 6-6:30 PM in Wait Chapel.
Don’t forget to stay for the pre-performance talk at 6:40 PM, given by professor of music, Peter Kairoff, and for the performance at 7:30 PM!
An African-American String Band
Thursday, September 12, 2013
7:30 PM in Wait Chapel
The Carolina Chocolate Drops prove that old-time, fiddle and banjo-based music can be a living, breathing, and ever-evolving sound. Starting with material culled from the Piedmont region of the Carolinas, they seek to freshly interpret this work–not merely re-creating it, but highlighting the central role that African-Americans played in shaping our nation’s popular music from its beginnings more than a century ago.
The Jerusalem Quartet
Tuesday, October 8, 2013
7:30 PM in Brendle Recital Hall
The Jerusalem Quartet, hailed by The Strad as “one of the young, yet great quartets of our time,” has garnered international acclaim for its rare combination of passion and precision. The quartet formed while its members were students at the Jerusalem Conservatory of Music and Dance. They quickly found a shared commitment to the music that has not only endured, but has propelled them to the highest level of performance. Their discography on Harmonia Mundi includes quartets by Mozart, Haydn, Schubert, Shostakovich, Tchaikovsky, and Dvorak. The program will include a new work composed for the quartet by Brian Elias, commissioned in part by the Secrest Artists Series.
Thursday, November 21, 2013
7:30 PM in Brendle Recital Hall
Acclaimed as “the premier men’s vocal ensemble in the United States” (Fanfare), Cantus is committed to inspiring audiences with music performed at the highest level. Rehearsing and performing without a conductor or music director, the nine members of Cantus are renowned for adventurous programming spanning many periods and genres. “All is Calm: The Christmas Truce of 1914” by Peter Rothstein, with musical arrangements by Erick Lichte and Timothy C. Rakach, was commissioned specifically for the collaboration between Cantus and Theater Latté Da. Through new arrangements of European carols and war songs for a capella voices, “All is Calm” recalls the remarkable World War I truce between the Allied Forces and German soldiers in no man’s land on Christmas, 1914. This event will be presented in cooperation with IPLACe, the Interdisciplinary Performance in the Liberal Arts Center.
Wednesday, February 26, 2014
7:30 PM in Wait Chapel
The 2012-2013 season marks Orpheus Chamber Orchestra’s 40th year of making internationally renowned music while reinventing the way the world thinks about musical collaboration, education and outreach, and democratic leadership. By performing without a conductor and integrating musicians into virtually every facet of the organization, Orpheus empowers its members and infuses performances with unparalleled energy. Orpheus has appeared on the Secrest Series previously in 1994 and 1998, and has also collaborated with other past Secrest performers such as Nathan Gunn and Wayne Shorter.
Their performance at Wake Forest will include an open rehearsal for students/faculty/staff and community members to observe their leaderless collaboration in action.
Thursday, April 10, 2014
7:30 PM in Brendle Recital Hall
An artist with a winning combination of superb musicianship, verve, and riveting technical brilliance, pianist Xiayin Wang conquers the hearts of audiences wherever she appears. As a recitalist, chamber musician, and orchestral soloist in venues including New York’s Carnegie Hall and Lincoln Center, she has already achieved a high level of recognition for her commanding performances.
Xiayin Wang completed studies at the Shanghai Conservatory and holds Bachelor’s Master’s, and Professional Studies degrees from the Manhattan School of Music.
Next Thursday, the Venice Baroque Orchestra will take the stage in Brendle as our fourth Secrest event this season. The VBO is renowned for their accurate and artistic representation of Baroque music. In all of the excitement, I thought you may need some short and sweet reminders about what we call the Baroque Era. Your music history debrief follows….
When is the Baroque Period?
Approximately 1600-1750. It follows the Renaissance and is followed by the Classical era.
What is happening in the world during this century and a half?
Meanwhile, there is more progressive thinking about politicsin Europe. We see the Levellers advocate democracy and Hobbes write Leviathan. Many long-standing wars are settled: Henri IV in France guarantees freedom to some Protestants, while Protestant England and Catholic Spain end a years-long conflict.
In religion, conflict within the Holy Roman Empire precipitates in the this period in the Thirty Years’ War and the English Civil War
Another fun fact: this period is the beginning of America’s colonial history as many European countries, including Britain begin expanding oversees.
What does Baroque mean?
The term baroque means abnormal, bizarre, exaggerated and in bad taste. The group that named this era clearly thought of it despairingly at the time.
What are the fundamental characteristics of Baroque Music?
The most striking aspect? The focus on the dramatic.
|Michelangelo Buonarotti’s David (1501-4)|
Who are the fundamental composers of the Baroque Era?
And finally, what makes the Venice Baroque Orchestra a special representation of Baroque music?
Thursday, January 24, 2013
7:30 PM | Brendle Recital Hall
Wonder what Secrest has been doing at APAP (the Association for Performing Arts Presenters) in New York City for the past 4 days? I thought you had. Here are some picture highlights.
When I listen to William Billings, I instantly see a snapshot of an early New England: brick streets, smoke spewing out of chimneys, a crispiness in the air, women in slightly tattered gowns, and men in cloaks. This is very likely the product of several trips to Colonial Williamsburg as a child. But, nevertheless, music has an incredible capacity to provoke the imagination. Little better embodies the spirit of a culture or of an era than the music that was composed for the time. Likewise, when I first listened to Danú, my imaginations eye took me to the Emerald Isle. This time, the country side was swept with a coating of icy white, with sparkling icicles and wispy white flurries to match. I also see a celebration in a house amidst this white countryside, with candles lit, laughing constant, a fire burning, and smiles all around. In short, it is Ireland during the holidays.
This Wednesday, Danú will be here with us at Wake Forest performing their show, “A Christmas in Ireland.” These expert musicians will play tunes that are uniquely Irish. These songs may be quite different from Nat King Cole belting “Chestnuts Roasting on an Open Fire,” but there is no doubt that this group’s music will bring you the quintessential feeling of Christmas–a warmth of heart that pervades any culture.
Here is a preview of what the group will perform this week:
Hope to see you at the show!